Alexandra do Carmo's practice is focused on the studio as a conceptual field of study—the studio as a lens through which to investigate and expose the dynamics, conditions and limits of authorship.
Her main area of research is the concept of Artistic Autonomy for Public Use.
Lives and works in Portugal, holds a PhD in Artistic Studies Art and Mediations from Nova University of Lisbon (FCSH-IHA). Studied at the Whitney Museum Independent Study Program in New York, holds a Masters Degree from Pratt institute in Brooklyn and also studied at The Center of Art and Visual Comunication (Ar.Co) Lisbon having specialized in drawing.
Exhibited widely in Portugal, United States, Germany, Spain, Ireland. Most significative projects include: Earthkeping/Earthshaking (To have a finger caught to create tension/Red line campaign with the students climate strike at Rossio, Lisbon, 15 of March 2020, at Quadrum gallery, Lisbon 2020, The Green Studio at IC19, solo show in 2018 at Sismografo, Porto, and presented at Casa dos Direitos Sociais within the Seminary of urbanism and spatial justice, The Right to the City, Marvila, 2018 and at Marvila's library within the seminary What is an archive? Lab 3: city archive, 2019. Everything was captured (even the movements of the goat), solo show at Quadrum gallery in 2011 and presented at CCB in Lisbon 2016 within the international symposium Portuguese performance, 2 cycles, one archive, and at the group show Quadrum 50 anos uma fogueira cultural in 2023. Office/Commercial, solo show at at CCG in 2008 and presented at Financial District, a group show at the International Studio & Curatorial Program in New York in 2009. Studio Socialis, solo show at Carlos Carvalho Gallery (CCG), Lisbon in 2009. A Willow (Or without Godot), at the Irish Museum of Modern Art, a solo show in 2006 and within the museum collection show in 2010, Dublin, Ireland.
Collections include the Irish Museum of Modern Art, Ilidio Pinho Foundation (Porto). Most significative awards and grants include: Foundation for science and Technology (FCT) (public funding), Nova University, Calouste Gulbenkian Foundation; Luso-American Foundation; Institute of the Arts (public funding), City Hall of Lisbon (Public funding).
Recent publications include 2020 Flash Art “Earthkeeping / Earthshaking – Art, Feminisms and Ecology” Galeria Quadrum, https://www.buala.org/pt/cara-a-cara/percurso-que-fizemos-em-conjunto-conversa-com-as-curadoras-de-earthkeeping-earthshaking-?fbclid=IwAR2gZbSgTyqNIZPqzxevalpxhDC8-m0OHZv9fuJjIai12lJ9G4E2AgXP9BU, por Teresa Castro https://flash---art.com/contributor/teresa-castro/ . 2018 Bruno Marques, Alexandra do Carmo :Emancipation and Resistance : suburban Allotments, espontaneous and clandestine, https://www.sismografo.org/pt/programacao/o-atelier-verde-no-ic-19/, https://www.academia.edu/38001548. 2022 Alexandra do Carmo e Daniela Salazar RHA 11
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A prática artística de Alexandra do Carmo situa-se no ateliê como campo conceptual de estudo; um filtro através do qual e com o qual investiga as dinâmicas do espaço autoral, expondo as condições e limites do trabalho artístico. A sua area de investigação relaciona-se com o conceito de autonomia artística de uso público.
Vive e trabalha em Portugal. é doutorada em Estudos Artísticos Arte e Mediações pela Universidade Nova de Lisboa FCSH-IHA tendo sido bolseira FCT/Nova de 2018 a 2022. Estudou no Whitney Museum Independent Study Program de 2004 a 2005, EUA. Concluiu um mestrado em Artes Visuais no Pratt Institute em Brooklyn, tendo sido bolseira Gulbenkian/Luso Americana de 2000 a 2003, EUA. Estudou no Ar.CO em Lisboa, tendo concluido a Fase de projecto em desenho em 1999, o Curso Avançado em 1998 e o Curso de desenho em 1996.
Dos seus projectos mais significativos destaca-se Tudo foi Captado (mesmo os movimentos do cabrito), exposição individual na galeria Quadrum em 2011, tendo sido apresentado no CCB no simpósio internacional Performance Portuguesa 2 Ciclos, um Arquivo em 2016, e na exposição Quadrum 50 anos uma fogueira cultural em 2023. Earthkeping/Earthshaking (Ter um dedo preso para criar a tensão/Campanha Linha Vermelha com a Greve Climática Estudantil no Rossio, Lisboa, 15 de Março de 2020, na galeria Quadrum em 2020, O Ateliê Verde no IC19, exposição individual no Sismógrafo, e apresentado na Casa dos Direitos Sociais no Seminário de urbanismo e justiça espacial O Direito à Cidade, CIAUD/FA-UL em Marvila, em 2018 e na Biblioteca de Marvila inserido no seminário O que é o Arquivo? Laboratório 3: cidade arquivo--espaço expectante em 2019, Portugal. Office/Commercial exposição individual na Galeria Carlos Carvalho (GCC), 2008, e no International Studio & Curatorial Program em 2009, EUA. Studio Socialis, exposição individual na (GCC) em 2014. A Willow (Or without Godot), exposição individual na residência artistíca do IMMA em 2006 e na exposição colectiva da coleção do museu Collecting The New: Recent Aquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin, Irlanda, em 2010. Bolsas: 2018 FCT/Universidade Nova Bolsa de doutoramento. 2015 FCGulbenkian para o projecto O Ateliê Verde no IC 19. 2011: CMLisboa para o projecto Tudo foi Captado (mesmo os movimentos do cabrito) 2006: FCGulbenkian para o projecto The Steam Shop (or the painter's studio). 2006: Instituto das Artes para o projecto: The Steam Shop (or the painter's studio) 2004: Fundação Luso Americana e Instituto das Artes para a residência artística no Location One, EUA. 2004 FCGulbenkian para o projecto Wild m5, Museu de História Natural de Lisboa. 2001-2003: FCGulbenkian e Fundação Luso Americana, bolsa de Mestrado nos EUA.
Vive e trabalha em Portugal. é doutorada em Estudos Artísticos Arte e Mediações pela Universidade Nova de Lisboa FCSH-IHA tendo sido bolseira FCT/Nova de 2018 a 2022. Estudou no Whitney Museum Independent Study Program de 2004 a 2005, EUA. Concluiu um mestrado em Artes Visuais no Pratt Institute em Brooklyn, tendo sido bolseira Gulbenkian/Luso Americana de 2000 a 2003, EUA. Estudou no Ar.CO em Lisboa, tendo concluido a Fase de projecto em desenho em 1999, o Curso Avançado em 1998 e o Curso de desenho em 1996.
Dos seus projectos mais significativos destaca-se Tudo foi Captado (mesmo os movimentos do cabrito), exposição individual na galeria Quadrum em 2011, tendo sido apresentado no CCB no simpósio internacional Performance Portuguesa 2 Ciclos, um Arquivo em 2016, e na exposição Quadrum 50 anos uma fogueira cultural em 2023. Earthkeping/Earthshaking (Ter um dedo preso para criar a tensão/Campanha Linha Vermelha com a Greve Climática Estudantil no Rossio, Lisboa, 15 de Março de 2020, na galeria Quadrum em 2020, O Ateliê Verde no IC19, exposição individual no Sismógrafo, e apresentado na Casa dos Direitos Sociais no Seminário de urbanismo e justiça espacial O Direito à Cidade, CIAUD/FA-UL em Marvila, em 2018 e na Biblioteca de Marvila inserido no seminário O que é o Arquivo? Laboratório 3: cidade arquivo--espaço expectante em 2019, Portugal. Office/Commercial exposição individual na Galeria Carlos Carvalho (GCC), 2008, e no International Studio & Curatorial Program em 2009, EUA. Studio Socialis, exposição individual na (GCC) em 2014. A Willow (Or without Godot), exposição individual na residência artistíca do IMMA em 2006 e na exposição colectiva da coleção do museu Collecting The New: Recent Aquisitions to the IMMA Collection, Irish Museum of Modern Art, Dublin, Irlanda, em 2010. Bolsas: 2018 FCT/Universidade Nova Bolsa de doutoramento. 2015 FCGulbenkian para o projecto O Ateliê Verde no IC 19. 2011: CMLisboa para o projecto Tudo foi Captado (mesmo os movimentos do cabrito) 2006: FCGulbenkian para o projecto The Steam Shop (or the painter's studio). 2006: Instituto das Artes para o projecto: The Steam Shop (or the painter's studio) 2004: Fundação Luso Americana e Instituto das Artes para a residência artística no Location One, EUA. 2004 FCGulbenkian para o projecto Wild m5, Museu de História Natural de Lisboa. 2001-2003: FCGulbenkian e Fundação Luso Americana, bolsa de Mestrado nos EUA.
Publicações recentes: 2020 https://www.buala.org/pt/cara-a-cara/percurso-que-fizemos-em-conjunto-conversa-com-as-curadoras-de-earthkeeping-earthshaking-?fbclid=IwAR2gZbSgTyqNIZPqzxevalpxhDC8-m0OHZv9fuJjIai12lJ9G4E2AgXP9BU, Flash Art “Earthkeeping / Earthshaking – Art, Feminisms and Ecology” Galeria Quadrum por Teresa Castro, https://flash---art.com/contributor/teresa-castro/ . 2018 https://www.sismografo.org/pt/programacao/o-atelier-verde-no-ic-19/, Bruno Marques, Alexandra do Carmo :Emancipation and Resistance : suburban Allotments, espontaneous and clandestine, https://www.academia.edu/38001548. 2022 Alexandra do Carmo e Daniela Salazar RHA 11
h t t p s : // i n s t i t u t o d e h i s t o r i a d a a r t e . c o m / w p - c o n t e n t /u p l o a d s / 2 0 2 2 / 0 5 / R H A _ W 1 1 - 1 . p d f
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h t t p s : // i n s t i t u t o d e h i s t o r i a d a a r t e . c o m / w p - c o n t e n t /u p l o a d s / 2 0 2 2 / 0 5 / R H A _ W 1 1 - 1 . p d f
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RESUME
Academic Training
2018-2023 PhD in Artistic Studies Art and Mediations, Nova University (FCSH-IHA), Lisbon,
2004-2005 Whitney Museum Independent Study Program, New York, 2004/2005.
2003 Masters of Fine Arts Degree, Pratt Institute, New York, 2003.
1999 Project year in Drawing, Ar.CO, Center of Art and Visual Communication Lisbon.
1998 Advanced Course in Fine Arts, Ar.CO Lisbon.
1996 Drawing course, Ar.CO, Lisbon.
Solo Exhibitions
The Green Studio at IC 19, Sismografo, Porto, October 2018.
Academic Training
2018-2023 PhD in Artistic Studies Art and Mediations, Nova University (FCSH-IHA), Lisbon,
2004-2005 Whitney Museum Independent Study Program, New York, 2004/2005.
2003 Masters of Fine Arts Degree, Pratt Institute, New York, 2003.
1999 Project year in Drawing, Ar.CO, Center of Art and Visual Communication Lisbon.
1998 Advanced Course in Fine Arts, Ar.CO Lisbon.
1996 Drawing course, Ar.CO, Lisbon.
Solo Exhibitions
The Green Studio at IC 19, Sismografo, Porto, October 2018.
Studio Socialis, Carlos Carvalho Gallery, Lisbon September 2014.
All was captured (even the movements of the goat), Quadrum Gallery, Lisbon 2011.
Office/Commercial, Carlos Carvalho Gallery, Lisbon 2008.
The Other Echo, with the collaboration of Abinadi Meza, Carlos Carvalho Gallery, Lisbon, 2006.
A Willow (Or without Godot), Irish Museum of Modern Art, Dublin, 2006.
Wild M5 Sala do Veado, National Natural History Museum, Lisbon, 2004.
Micron 005, Lugar Comum-Fábrica da Pólvora, Barcarena, Portugal 2004.
Uma Sala com Repetição de Tudo, Modulo Gallery Lisbon, 2003.
Group Exhibitions
2024 Corpo Manifestação Transmissões da Performance--Arte nos Feminismos em Portugal, curadoria Paula Parente Pinto, Performing the Archive, Porto.
2023 Quadrum 50 anos uma fogueira cultural, curator Paulo Mandes, Quadrum gallery, Lisbon.
2023 A Casa era a Rua, Carlos Carvalho Gallery, curator Alexandre Melo, Lisbon.
2020 Earthkeeping/Earthshaking, Quadrum gallery, curators Giulia Lamoni e Vanessa Badagliacca, Lisbon.
2016 Internacional Symposium; Performance Portuguese Art, 2 cyles for one archive.Centro Cultural de Belem (CCB), artistic/documental show, curator Cláudia Madeira, Lisbon.
Publications
2020 Flash Art “Earthkeeping / Earthshaking – Art, Feminisms and Ecology” Galerias Municipais – Galeria Quadrum / Lisbon, por Teresa Castro, 2020—https://flash---art.com/contributor/teresa-castro/ Giulia Lamoni e Vanessa Badagliacca Catálogo da exposição Earthkeeping Earthshaking, Galeria Quadrum.
https://www.buala.org/pt/cara-a-cara/percurso-que-fizemos-em-conjunto-conversa-com-as-curadoras-de-earthkeeping-earthshaking-?fbclid=IwAR2gZbSgTyqNIZPqzxevalpxhDC8-m0OHZv9fuJjIai12lJ9G4E2AgXP9BU,
Alexandra do Carmo e Daniela Salazar A Platform of Theoretical Connections Between Artistic Practices, Processes and Curatorial Apparatus RHA 11 https://institutodehistoriadaarte.com/wp-content/uploads/2022/05/RHA_W11-1.pdf
2018 Bruno Marques, Alexandra do Carmo :Emancipation and Resistance : suburban Allotments, espontaneous and clandestine. https://www.academia.edu/38001548/ALEXANDRA_DO_CARMO._EMANCIPATION_AND_RESISTANCE_SUBURBAN_ALLOTMENTS_SPONTANEOUS_AND_CLANDESTINE_
2017 Alexandra do Carmo, The Green Studio at IC19, Interact online magazine, http://interact.com.pt/26/o-atelier-verde-no-ic-19/ .
2017 Cláudia Madeira, A (NON) REPRESENTATIVE SHOW OF THE PORTUGUESE PERFORMANCE ART, Revista de História da Arte (RHA_W_6).
2017 Alexandra do Carmo and Bruno Marques, Performamce Stories in Portugal: Storytelling at Quadrum in http://revistaharte.fcsh.unl.pt/rhaw6/RHA_W_6.pdf
2011 Catarina ROSENDO, Representations of a Community of Experience in Alexandra do Carmo. "Tudo foi captado (mesmo os movimentos do cabrito)". "Everything was captured (even the movements of the goat)", Lisboa, Galeria Quadrum.
2011 Catarina Rosendo e Lígia Afonso, Quadrum Arquivo Paralelo (website) http://quadrumarquivoparalelo.blogspot.com/p/alexandra-do-carmo-tudo-foi-captado.html .
2010 (05/28) Elizabeth FITZHERBERT, “Latest Additions to IMMA's Permanent Collection Provoke Thought,”The Wall Street Journal. http://online.wsj.com/article/SB127499343055497949.html .
All was captured (even the movements of the goat), Quadrum Gallery, Lisbon 2011.
Office/Commercial, Carlos Carvalho Gallery, Lisbon 2008.
The Other Echo, with the collaboration of Abinadi Meza, Carlos Carvalho Gallery, Lisbon, 2006.
A Willow (Or without Godot), Irish Museum of Modern Art, Dublin, 2006.
Wild M5 Sala do Veado, National Natural History Museum, Lisbon, 2004.
Micron 005, Lugar Comum-Fábrica da Pólvora, Barcarena, Portugal 2004.
Uma Sala com Repetição de Tudo, Modulo Gallery Lisbon, 2003.
Group Exhibitions
2024 Corpo Manifestação Transmissões da Performance--Arte nos Feminismos em Portugal, curadoria Paula Parente Pinto, Performing the Archive, Porto.
2023 Quadrum 50 anos uma fogueira cultural, curator Paulo Mandes, Quadrum gallery, Lisbon.
2023 A Casa era a Rua, Carlos Carvalho Gallery, curator Alexandre Melo, Lisbon.
2020 Earthkeeping/Earthshaking, Quadrum gallery, curators Giulia Lamoni e Vanessa Badagliacca, Lisbon.
2016 Internacional Symposium; Performance Portuguese Art, 2 cyles for one archive.Centro Cultural de Belem (CCB), artistic/documental show, curator Cláudia Madeira, Lisbon.
2015 Cerveira Biennial, Vila Nova de Cerveira.
2011 Between Document and Fiction, curator José Carlos Teixeira, Passos Manuel, Maus Hábitos, Porto.
2010 Collecting The New: Recent Aquisitions to the IMMA Collection, Irish Museum of Modern Art,Dublin.
2009 1 Século, 10 Lápis, 100 Desenhos: Viarco Express, Museu da Presidência da República, Lisbon.
2009 Financial District, curator Miguel Amado, International Studio & Curatorial Program, New York.
2009 Lá Fora, curator João Pinharanda, Electricity Museum, Lisbon, 2009.
2011 Between Document and Fiction, curator José Carlos Teixeira, Passos Manuel, Maus Hábitos, Porto.
2010 Collecting The New: Recent Aquisitions to the IMMA Collection, Irish Museum of Modern Art,Dublin.
2009 1 Século, 10 Lápis, 100 Desenhos: Viarco Express, Museu da Presidência da República, Lisbon.
2009 Financial District, curator Miguel Amado, International Studio & Curatorial Program, New York.
2009 Lá Fora, curator João Pinharanda, Electricity Museum, Lisbon, 2009.
2008 I Certamen de Dibujo Contemporaneo Pilar Y Andres Centenera Jaraba, Guadalajara, Spain.
2006 The Square Root of Drawing, Temple Bar Gallery, Dublin, 2006.
2006 The Steam Shop (or The Painter’s Studio), curators Alexandra do Carmo, Liliana Coutinho, Sara Matos, Lugar Comum, Barcarena, Portugal.
2006 Space, Place & Interface, LiveBox Gallery at Ravenswood, Chicago.
2005 E=mc2, curator Miguel Amado, Museum of Science and Technology, Coimbra, Portugal.
2005 Bread Matters III, curator Inês Amado, West Cork Arts Center, Cork.
2005 Whitney Museum Independent Studio Program Exhibition, New York.
2005 Draw, Dwight Hackett Projects, Santa Fe, New Mexico.
2004 Paper and Process, Art Projects International, New York.
2004 New Work Artists in Residence, curator Nathalie Anglès, Location One, New York, 2004.
2003 GO, Liquidacion-Total, Madrid.
2002 Expect the World moinonplus, curator Alexandre Estrela, Künstlerhaus Bethanien, Berlin.
2002 Symposium Art Values: Public and Private, Pratt Institute, (selections; Janet Koplos) New York.
2002 Amadeu de Sousa Cardoso- Third Prize, City Museum, Amarante, Portugal.
2000 Desenho, Mitra Gallery, Lisbon.
Residencies/Workshops
Pó de Vir a Ser, Évora, Portugal, 2024.
Irish Museum of Modern Art, Dublin 2006.
Location One, New York, 2004.
Triangle Artist’s Workshop, New York, 2004.
Talks/Events
2024 (5/11) Class at ESAD, Master Degree in Film, Caldas da Rainha.
2024 (24/06) Speaker/artist with exhibition of work at Sala, Ar.Co's department of photography, Lisbon.
2022 (23/05) Speaker at workshop Práticas Artísticas Confinadas, Resistência e Colectivismo na Pandemia de Covid 19 em Portugal, within the Graduate Seminar 'Crafting the Past: Materials, Materialities, Materialisms', organized by IHC/NOVA, oIN2Past Associated Laboratory, and the Department of History of Art at UCLU. Universidade de Évora.
2022 (05/04 ) Guest artist: Alexandra do Carmo & Joshua Schwebel, pública event within Práticas Artísticas Confinadas's project, Resistência e Colectivismo na Pandemia de Covid 19 em Portugal, Teatro Chão de Oliva, Sintra.
2020 Guest artist: a conversation between Alexandra do Carmo and Bonnie Ora Sherk within Earthkeeping/Earthshaking--Art, Feminisms and Ecology.
2019 (19, 20/11) Speaker at ciclo de conferências Campos de Colaboração, Culturgest, Lisboa.
2006 The Steam Shop (or The Painter’s Studio), curators Alexandra do Carmo, Liliana Coutinho, Sara Matos, Lugar Comum, Barcarena, Portugal.
2006 Space, Place & Interface, LiveBox Gallery at Ravenswood, Chicago.
2005 E=mc2, curator Miguel Amado, Museum of Science and Technology, Coimbra, Portugal.
2005 Bread Matters III, curator Inês Amado, West Cork Arts Center, Cork.
2005 Whitney Museum Independent Studio Program Exhibition, New York.
2005 Draw, Dwight Hackett Projects, Santa Fe, New Mexico.
2004 Paper and Process, Art Projects International, New York.
2004 New Work Artists in Residence, curator Nathalie Anglès, Location One, New York, 2004.
2003 GO, Liquidacion-Total, Madrid.
2002 Expect the World moinonplus, curator Alexandre Estrela, Künstlerhaus Bethanien, Berlin.
2002 Symposium Art Values: Public and Private, Pratt Institute, (selections; Janet Koplos) New York.
2002 Amadeu de Sousa Cardoso- Third Prize, City Museum, Amarante, Portugal.
2000 Desenho, Mitra Gallery, Lisbon.
Residencies/Workshops
Pó de Vir a Ser, Évora, Portugal, 2024.
Irish Museum of Modern Art, Dublin 2006.
Location One, New York, 2004.
Triangle Artist’s Workshop, New York, 2004.
Talks/Events
2024 (5/11) Class at ESAD, Master Degree in Film, Caldas da Rainha.
2024 (24/06) Speaker/artist with exhibition of work at Sala, Ar.Co's department of photography, Lisbon.
2022 (23/05) Speaker at workshop Práticas Artísticas Confinadas, Resistência e Colectivismo na Pandemia de Covid 19 em Portugal, within the Graduate Seminar 'Crafting the Past: Materials, Materialities, Materialisms', organized by IHC/NOVA, oIN2Past Associated Laboratory, and the Department of History of Art at UCLU. Universidade de Évora.
2022 (05/04 ) Guest artist: Alexandra do Carmo & Joshua Schwebel, pública event within Práticas Artísticas Confinadas's project, Resistência e Colectivismo na Pandemia de Covid 19 em Portugal, Teatro Chão de Oliva, Sintra.
2020 Guest artist: a conversation between Alexandra do Carmo and Bonnie Ora Sherk within Earthkeeping/Earthshaking--Art, Feminisms and Ecology.
2019 (19, 20/11) Speaker at ciclo de conferências Campos de Colaboração, Culturgest, Lisboa.
2019 Guest speaker/artist at Lab3 City/Archive, Lisbon.
2018 Guest speaker/artist with the project The Green Studio at IC 19, within the Seminary Urbanism and Spatial justice The Right to the City, CIAUD/FA-UL Marvila, Lisboa, Lisbon.
2018 Speaker at the International conference Times and Movements of the image, at Politecnical Institute of Leiria, Caldas da Rainha.
2016 Speaker/artist at the international Simposium Performance Stories in Portugal, 2 cycles one archive, CCB Lisbon.
2015 Speaker/artist at Mesa de Montagem, Nova University, presentation of artistic work with Maile Colbert, Lisbon.
2014 Guest artist at ISCTE, presentation and discussion of projects with students, with Luisa Especial, Lisbon.
2013 Guest artist at Residency Unlimited, work presentation of Studio Socialis project with Maud Jaquin and Luisa Especial, New York.
Grants
2018 FCT Foundation for Science and Technology/Nova University for a PhD in Artistic Studies.
2018 Guest speaker/artist with the project The Green Studio at IC 19, within the Seminary Urbanism and Spatial justice The Right to the City, CIAUD/FA-UL Marvila, Lisboa, Lisbon.
2018 Speaker at the International conference Times and Movements of the image, at Politecnical Institute of Leiria, Caldas da Rainha.
2016 Speaker/artist at the international Simposium Performance Stories in Portugal, 2 cycles one archive, CCB Lisbon.
2015 Speaker/artist at Mesa de Montagem, Nova University, presentation of artistic work with Maile Colbert, Lisbon.
2014 Guest artist at ISCTE, presentation and discussion of projects with students, with Luisa Especial, Lisbon.
2013 Guest artist at Residency Unlimited, work presentation of Studio Socialis project with Maud Jaquin and Luisa Especial, New York.
Grants
2018 FCT Foundation for Science and Technology/Nova University for a PhD in Artistic Studies.
2015: Calouste Gulbenkian Foundation for project The green Studio at IC19
2011: City Hall of Lisbon for project All was captured (even the movements of the goat)
2006: Calouste Gulbenkian Foundation for project The Steam Shop (or the painter's studio).
2006: The Institute of the Arts for project The Steam Shop (or the painter's studio)
2004: Luso-American Foundation and Institute of the Arts for residency Location One.
2004: Luso-American Foundation and Institute of the Arts for residency Location One.
2004 Calouste Gulbenkian Foundation for project Wild m5.
2001-2003: Gulbenkian Foundation and Luso-American Foundation (scholarship for Masters degree in the USA-Pratt Institute).
2001-2003: Gulbenkian Foundation and Luso-American Foundation (scholarship for Masters degree in the USA-Pratt Institute).
Publications
2020 Flash Art “Earthkeeping / Earthshaking – Art, Feminisms and Ecology” Galerias Municipais – Galeria Quadrum / Lisbon, por Teresa Castro, 2020—https://flash---art.com/contributor/teresa-castro/ Giulia Lamoni e Vanessa Badagliacca Catálogo da exposição Earthkeeping Earthshaking, Galeria Quadrum.
https://www.buala.org/pt/cara-a-cara/percurso-que-fizemos-em-conjunto-conversa-com-as-curadoras-de-earthkeeping-earthshaking-?fbclid=IwAR2gZbSgTyqNIZPqzxevalpxhDC8-m0OHZv9fuJjIai12lJ9G4E2AgXP9BU,
Alexandra do Carmo e Daniela Salazar A Platform of Theoretical Connections Between Artistic Practices, Processes and Curatorial Apparatus RHA 11 https://institutodehistoriadaarte.com/wp-content/uploads/2022/05/RHA_W11-1.pdf
2018 Bruno Marques, Alexandra do Carmo :Emancipation and Resistance : suburban Allotments, espontaneous and clandestine. https://www.academia.edu/38001548/ALEXANDRA_DO_CARMO._EMANCIPATION_AND_RESISTANCE_SUBURBAN_ALLOTMENTS_SPONTANEOUS_AND_CLANDESTINE_
2017 Alexandra do Carmo, The Green Studio at IC19, Interact online magazine, http://interact.com.pt/26/o-atelier-verde-no-ic-19/ .
2017 Cláudia Madeira, A (NON) REPRESENTATIVE SHOW OF THE PORTUGUESE PERFORMANCE ART, Revista de História da Arte (RHA_W_6).
2017 Alexandra do Carmo and Bruno Marques, Performamce Stories in Portugal: Storytelling at Quadrum in http://revistaharte.fcsh.unl.pt/rhaw6/RHA_W_6.pdf
2011 Catarina ROSENDO, Representations of a Community of Experience in Alexandra do Carmo. "Tudo foi captado (mesmo os movimentos do cabrito)". "Everything was captured (even the movements of the goat)", Lisboa, Galeria Quadrum.
2011 Catarina Rosendo e Lígia Afonso, Quadrum Arquivo Paralelo (website) http://quadrumarquivoparalelo.blogspot.com/p/alexandra-do-carmo-tudo-foi-captado.html .
2010 (05/28) Elizabeth FITZHERBERT, “Latest Additions to IMMA's Permanent Collection Provoke Thought,”The Wall Street Journal. http://online.wsj.com/article/SB127499343055497949.html .
2010 (May) Simon JUDGE and Ruth KENNY, “Collecting the New,” The Dubliner Magazine.
2009 João PINHARANDA [et al.] “Artistas Portugueses Lá Fora (Portuguese Artists Abroad)”. Lisboa: Museu da Electricidade.
2009 (March/April) David BARRO, Animal Gaze. NY Arts Magazine.
2009 Pedro RAPOULA, (ed.) Um século, Dez lápis, Cem desenhos. Lisboa : Museu da Presidência da República.
2008 Nuno CUNHA, “A Search oneʼs own Artistic Practice,” E-Vai online arts magazine.
2008 David BARRO, “Las fissuras perceptivas de Alexandra do Carmo”, in Office/Commercial, Dardo ds/ Galeria Carlos Carvalho, Santiago de Compostela/Lisboa.
2008 Bruno MARQUES Prospective Memory for an artist studio in Brooklyn in Office/Commercial catalogue,Dardo ds/ Galeria Carlos Carvalho, Santiago de Compostela/Lisboa.
2006 Bruno MARQUES, The Steam Shop (or the painter's studio)' From the expansion of the Studio to an anthropological view of the site’. http://www.interfaceartecontemporanea.org/ensaios_criticos.htm
2006 Miguel von Hafe PÉREZ (ed.) Anamnese. Porto: Fundação Ilídio Pinho.
Collections (selection).
2005 http://www.studiovisit.net, Dinosaur Drawings i.e. in www.anamnese.pt.
2006 Bruno MARQUES, The Steam Shop (or the painter's studio)' From the expansion of the Studio to an anthropological view of the site’. http://www.interfaceartecontemporanea.org/ensaios_criticos.htm
2006 Miguel von Hafe PÉREZ (ed.) Anamnese. Porto: Fundação Ilídio Pinho.
Collections (selection).
2005 http://www.studiovisit.net, Dinosaur Drawings i.e. in www.anamnese.pt.
2004 Jonathan GOODMAN, Time’s Archeologist ,2007--The Monkeys Gaze, i.e. in www.anamnese.pt. Ilidio Pinho Foundation.
2004 Robert KNAFO On the Paleontology-Democracy Continuum.
2004 Robert KNAFO On the Paleontology-Democracy Continuum.
2004 (9/18) Luisa Soares de OLIVEIRA Looking for Fragments, in Público.
Collections
Collections
Irish Museum of Modern Art
Ilidio Pinho Foundation
Ilidio Pinho Foundation
Colecção Norlinda e José Lima
