A Willow (or Without Godot)
A Willow (or Without Godot) audio on the left side
2006
audio installation
CLICK TO HEAR VLADIMIR on the right side of the mattress
2006
audio installation
CLICK TO HEAR VLADIMIR on the right side of the mattress
A Willow (Or Without Godot), Audio Installation, mattresses, ipods, stones, gravel from the Museum’s outdoors, 12’ each looped, 2006.
An approach to Beckett’s Waiting for Godot, the spectator’s presence is made theatrical within the context of the Museum exhibition room. The artist having recorded each positive sentence from the characters, emphasizing a complicity, dependency and deep affection between the two.
An approach to Beckett’s Waiting for Godot, the spectator’s presence is made theatrical within the context of the Museum exhibition room. The artist having recorded each positive sentence from the characters, emphasizing a complicity, dependency and deep affection between the two.
A Willow (or Without Godot) audio on the right side
2006
audio installation
CLICK TO HEAR ESTRAGON on the left side of the mattress
2006
audio installation
CLICK TO HEAR ESTRAGON on the left side of the mattress
A Willow (Or Without Godot), Audio Installation, mattresses, ipods, stones, gravel from the Museum’s outdoors, 12’ each looped, 2006.
An approach to Beckett’s Waiting for Godot, the spectator’s presence is made theatrical within the context of the Museum exhibition room. The artist having recorded each positive sentence from the characters, emphasizing a complicity, dependency and deep affection between the two.
An approach to Beckett’s Waiting for Godot, the spectator’s presence is made theatrical within the context of the Museum exhibition room. The artist having recorded each positive sentence from the characters, emphasizing a complicity, dependency and deep affection between the two.
